Category Archives: Uncategorized

LAW & ORDER: Easy to obsess

Read in the LA Times the other day, there’s a possibility that the “mothership” of Dick Wolf’s television franchise, the original Law and Order, may not be picked up for next season. Panic set in! Sweat popped, tears sprung, hyperventilation not far behind. NO!!!!!

I can’t go a whole day without a hit of L & O. Love my Law and Order. All those flawed and clearly-delineated characters, all that fabulous writing, all of Jack McCoy!

Yes, I wouldn’t have to go cold turkey. It’s syndicated on TNT. But, OMG, even with umpteen seasons, eventually I’ll have seen them all and just as it’s happened with Jerry and the gang, I will grow slightly weary from repeated viewing.

I might die before that happens, but what if I don’t?

Actually, I haven’t seen every episode yet. I’m keeping track. I printed a list from TV.com of every episode of L & O. I’m working my way through, one episode a day, from 1990 with George Dzunida, Chris Noth, Michael Moriarty, and Richard Brooks through 2009 with Anthony Anderson, Jeremy Sisto (most cute since Benjamin Bratt), Linus Roach, and Alana de la Garza, AND of course, Sam.

Watching all these episodes has been tons of fun. Some of the shows haven’t lived up to its own high standard, but that’s to be expected after so many years on TV, but over all the writers, producers, directors, and stars deliver high quality drama episode after episode. And there are some jewels: “Who Let the Dogs Out?” “Bodies,” and several others I forgot to highlight on my list. Maybe the next time through.

BUT I hope it stays on the air. With each new cast change the show has twisted and turned and yielded fresh new situations and some damn good TV times.

The Week That Was…

On the HINT FICTION front, I hear from Robert Swartwood that he’s forwarded the finalists to Stewart O’Nan in the adventure competition of the new genre “hint fiction.” He should be announcing the winners soon on his blog.

Digest of last week’s Chronicles here. Quick links to posts by Sean Lovelace, Bill Ward, K. C. Ball, Rumjhum Biswas, and myself. Still open to post submissions. Email me at flashfictionblog@everydayfiction.com .

Also I’ve been honored with an invitation to be a guest speaker at one of Kerry Madden’s classes at Vromans in Pasadena this coming Thursday. We’ll be talking about flash fiction and how it’s impacting craft of writing, all to the positive.

Kerry is the author of Up Close: Harper Lee, a biography of the author of To Kill A Mockingbird. You can meet her in person on Sunday, May 24 at 4:00pm when she signs her new biography at Vroman’s Bookstore 695 E. Colorado BlvdPasadena, California 91101.
Check out the foreward to Up Close at Kerry’s website.

It came to this: Me at Flash Fiction Chronicles

Yep! I ran out of posts from other writers and have to put myself out there. I don’t really mind. I have a few old posts about angst and frustration that I’m sure will touch some writer who’s worried she just isn’t good enough. The one today discusses Talent and Skill; which does a writer need more ?

Lack of talent has always hung over my head, the idea I’ve got none. Growing up I sometimes felt a spark of clear thinking in the creases inside my cranium, but most of the time, it seemed to me I knew nothin’.

I was under the miscomprehension that if I had no talent–writing for me, but it could be anything a person wants to do–I might as well not bother trying. Even if I had a little talent, I shouldn’t bother because there are geniuses out there who wake up in the morning, sit down at the computer, and spin marvelous tales without effort. After all, every book I picked up at the library seemed to be filled with whole worlds that sucked me into adventure and drama, dissolving my hours into days.

I’m older now, and I hope just a little wiser. I realize even Shakepeare had to work at writing. What I didn’t see back then, couldn’t see, was that there are other components to the whole creativity gig: effort, perserverance, desire, practice. Who knew it was such a complex thing? Not me. Sometimes I look back over the years and wonder just how many times the mummy tape circled my head because that’s how I felt, paralyzed, unable to move forward, my whole body wrapped in thick gauze.

But we grow up and when I finally figured out how doing something over and over again would actually make me better at it, I began to push myself. I never had done that before. Stick to it? Even when I got antsy, worried, tired, bored, frustrated, and disillustioned?

I did things okay without too much exertion and for way too long, I never understood that doing things “okay” isn’t enough. I get it now. To be good at something, really good, I can’t get lazy. I can’t let myself become satisfied with meager effort. I have to push myself, challenge myself, discipline myself. Yes I do.

But in that mix, the other lesson I’ve learned is to remember why I write. The answer is because it’s fun. It’s like finishing a Sunday crossword puzzle, but better. It’s like winning 1st place or getting an acceptance, but better. Sometimes, when characters take over the story and hours melt into days, it’s even better than sex.

Read more at Flash Fiction Chronicles.

Tania’s on Frank O’Connor Short Story Award List

GREAT News for all of us who follow Tania Hershman through her blog. She’s on the Frank O’Connor Award long list with her collection of shorts, The White Road and other Stories published by Salt Modern Fiction. Being on ANY list that highlights quality writing is an honor…and an indicator that an author is being read, recognized, and appreciated. And what great company she’s keeping: Mary Gaistskill, Kazuo Ishiguro, and Alex Keegan to name just a few of the 57!

You can find the Long List at The Short Review. And that’s the other reason that Tania can be appreciated, not just for being an excellent writer, but for promoting short fiction at The Short REVIEW, an online e-zine dedicated to short fiction.

Swartwood’s HINT FICTION picked up by Norton

Soon to be found on the pages of a Norton anthology will be Robert Swartwood’s HINT FICTION phenomenon. The internet is shaking our foundations with the new and innovative. Congratulations, Rob.

Meanwhile there is work to be done. The finalists for the first-ever HINT FICTION contest must be selected and forwarded to Stewart O’Nan. He will then choose a winner.

Rob will need to fill the balance of pages in the anthology and I’m sure he’ll be looking for submissions in the near future so keep an eye out for the word.

FRESH BLOOD in the shadow of Disney

Here I go again, name dropping, but I WAS in the shadow of Disney Studios in Burbank on Saturday afternoon. Literally. However, my business had nothing to do with mice. I moderated a Sisters-in-Crime LA sponsored panel called “Fresh Blood” of emerging mystery/suspense writers at the Buena Vista Branch of the beautiful downtown Burbank library.

And a lively discussion it was. The panelists, each representing a different branch of the mystery/suspense genre, offered insights into writing engaging characters, using setting as character, and how most writers today feel more free to cross genres and sub-genres.

The “fresh blood” included Eva Batonne, author of Resurrection Diva, Jack Maeby who wrote Thorazine Mirrorball, and Pam Ripling/Anne Carter, cross-genre writer extraordinaire, writer of Point Surrender.

Eva Batonne’s heroine in Diva is a tough cop from St. Louis who finds herself caught up in the fake death of a singer in Malibu. The author discussed how the contrast of Joan Lambert’s midwest upbringing with the world of glitzy L.A. helped her to test her character’s vulnerability and determination to succeed. Diva, categorized as a police-procedural, crosses into romance, metaphysics, and contains depth of language that flirts with literature.

In Mirrorball, Jack Maeby’s protagonist, musician Jimmy Mack, spent the disco era trying to break free from the anti-psychotic meds after being released from a psychiatric hospital. The author, a musician himself, drew upon his observations of the music business to create his unique character as disco narrowed the job market. Mirrorball is a crime-fiction suspense which contains gritty realism about how difficult it is for those treated with certain medications to live a normal life.

Point Surrender, written by Pam Ripling who also writes under the name Anne Carter, is about a school teacher who after a painful break-up seeks refuge in her brother’s newly-purchased lighthouse. Amy Winslow begins to restore the rundown structure and soon discovers that the ghosts of the past are threatening her future. Again genre is stretched to include romance, mystery, and paranormal suspense as the author reveals her protagonist’s strengths and vulnerability.

These panels are organized with great efficiency and care by Gayle Bartos-Pool. Check out her website.

HINT Fiction: For subbers, the wait begins

For everyone who submitted to Robert Swartwood’s Hint Fiction Contest, your “briefs” are being prepared for trial, the preliminary judges (Rob and me) are polishing our gavels, dry-cleaning our robes, adjusting our glasses (on our noses and on Scotch-soaked coasters). We’re ready to find the best “HINTS” and send them up to the Supreme Court, in this case, best-selling writer Stewart O’Nan.

We’re writing new law here, kind of. Genre-bending, at least as far as length is concerned. The buzz around the net is mostly positive curiosity, “Hint” being a new sub-sub genre, a story–or rather the hint of a story–in twenty-five words or less. Is it a fad or a legitimate endeavor? Will fiction this short get life or the axe? Or will it be sent on to a court of appeals?

I suppose it depends on what comes out of the 200 + submissions made via the comment section at Rob’s blog. Some are probably quick attempts to join an A-list of sorts, to be one of the first; others will be sincere efforts, each word carefully chosen for both its literal and figurative meaning. If they are brilliant, perhaps we’re seeing the beginning of a new abbreviated kind of story-telling. If not, well, I still have my pet rock.

Be assured, though, the briefs will be carefully, respectfully culled, ranked, talked about, argued over, and finally, presented to Chief Justice O’Nan.

And while the jury is out, the submitting writers must wait to hear what the final verdict will be.

HINT FICTION CONTEST ends today!

What’s short and sweet and black and white all over? Answer? Robert Swartwood’s Hint Fiction Contest. What is it exactly? Here’s what Rob says at EDF’s Flash Fiction Chronicles:

Me, I want to coin a term, so I’m going to do it here and now: those very, very, very, VERY short stories should be called Hint Fiction. Because that’s all the reader is ever given. Just a hint. Not a scene, or a setting, or even a character sketch. They are given a hint, nothing more, and are asked — nay, forced — to fill in the blanks.

And believe me, there are a lot of blanks. What is the word limit of Hint Fiction? Well, if a drabble is 100 words, and a dribble is 50 words, then how about we say Hint Fiction cannot be anything more than 25 words. One of the biggest hints in Hint Fiction is the title. It’s like the setup to a joke, and the “story” is the punch line. Without the one, the other won’t work.


Check it out the whole article here. Then visit Robert Swartwood’s blog for the HINT FICTION CONTEST, judged by best-selling author Stewart O’Nan. Prizes include a $25 gift certificate to Amazon and a copy of The Best of Every Day Fiction 2008 and who knows what else?

Deadline is midnight April 30th. That’s today!

Plugs! London Eye and the Chronic

Edie Montgomery has written a nice review of my story, “The London Eye” at her blog abunchofwordz. This is so cool to me. Like I’m a real writer or something. Made my day. Made my month! Thanks, Edie, for the kind words.

And Bill Ward, writer extraordinaire has done the same for EDF’s Flash Fiction Chronicles. Can’t tell you how wonderful it is to see writers I admire checking out the blog and writing that we are accomplishing our mission: a discussion of quality flash fiction and how to do it! Here’s a list of Bill’s stories online.