Dare ya two!

Okay so I’ve got a start going here. 438 words, half way to a thousand, but that’s irrelevant right now.

I have setting: Starkville Luncheonette at night.
Question: Luncheonette open at night??? Won’t worry about that right now.

Got characters: The narrator, don’t know her name, who has a daughter and she seems to be one in a line of waitresses. Doesn’t want that for her own daughter. Like that. That works. And a stranger who gives off mixed-signals. Wearing a jacket and shorts. No car. Homeless? Is this a fantasy thing? NO!

Story problem 1 (what does the main character want?): She wants out of her rut and her town and into a new life that’s the opposite of what she has.

Story problem 2 (plot and main arc): Don’t know yet. What does this stranger offer her? Does he have the capacity to offer her anything? Is he dangerous? If not what could he teach her?

What stands in her way? Not enough money, lethargy, lack of education, her mother??? An old boyfriend?

Theme: Hmmm… obviously wanting a new life, to get out of the rut she’s born into. But that what she wants . What’s the theme? How does this idea apply to me? Rut. In a rut.

What might the quotation in the prompt give me: It is not necessary for the public to know whether I am joking or whether I am serious, just as it is not necessary for me to know it myself. –Salvador Dali

Words not used from the prompt: -DYSPEPSIA-FLUCTUATE-ETON JACKET-ICE BOAT-REVERBERANT Do the suggestion anything? I got pie. Could I sub flatulate for fluctuate? That goes with dyspepsia. Eton jacket? Can I change his plaid one for the eton? Would this girl even know what that was? No. There’s hope maybe for reverberant….

Possible key words: Escape, freedom, self-actualization, taking action…

Okay lemme see what going to happen.

_________________________________________________________________

I waitress at night at the Starkville Luncheonette on State Hwy. 41, just down the road a bit from Clancy’s Grease and Lube and about a mile before the first real intersection in town. Donnie lets me wear jeans and t-shirts, thank goodness, not one of those scratchy gold-colored uniforms with the white collars and starched aprons that my mom wore back in the day when she worked the counter.

The place is empty so I’ve got time to ponder what I’m going to do about my daughter. Her name is Beth, she’s twelve, and she’s already got some breasts. I think it’s time we get out of town, leave the river and the coal mine behind, head somewhere that has a winter to it, where blue geese dip through gray skies and old men build wooden houses on icy lakes.

I’m wiping down the counter for the millionth time when a thin guy wearing a plaid jacket and shorts comes in the door. I didn’t hear a car or truck out on the gravel so he takes me a little by surprise. I slip take my own half-filled Pepsi glass off the counter.

“Hey,” he says. “You got pie?”

“Lemon meringue, no berry.” I straighten up, tossing the rag under the counter, and before I can stop myself, I’m smoothing down my hair with a damp hand.

“Lemon”ll do.” Grinning he slides onto the stool opposite to me. Puts his large fists on the table. No wedding ring. Let my eyes flick up to his sun-burned face, green eyes, slightly crooked front teeth. Nice cheek bones. Ditto mouth, though his lips are a little cracked, even flaky, like he doesn’t drink enough water.

“Coffee?”

“You got herb tea?”

Herb tea? This makes me smile. But my back is turned now so he can’t see it. I pull the lever on the hot water. Grab a basket of tea bags. “Where’s your car?”

“I walked. I been walking all night.” Now that he says this I can see that his jacket is dusty his dark hair greasy.

“Walked from where? Nothing out here.”

“Louisiana.”

“You a hobo?”

“That’s a word you don’t hear these days?” he says.

“Well, the train does go by here. You look like you’re moving through.”

“I’m not. I’m staying.”

“Oh.” I shrug and turn away to get that last piece of lemon pie for him and there’s something queasy going on in my stomach. This guy’s kind of nice looking, but weird too and I’m thinking maybe I need to call old Deputy Dave. When I put the pie in front of him, I meet his eyes and he meets mine.

He says, “You really don’t know who I am, do you?”

I get a little dizzy as the words line up as a sentence in my head. Know who he is? Why would I…

“Kelly, com’ on. Think about it.”

“How you know my name?” He holds his fork like a gentleman. For some reason I thought he’d have that prison grip thing going on. Jail?

“Good pie,” says the guy. “I’d die for a good piece of pie and a pair of long, long legs. ” He smirks and again our eyes meet. And I know who he is. I take a step back away from the counter and the back of my arm bumps against the hot coffee urn, but the heat doesn’t penetrate to my head. I swallow hard and then a searing pain jolts through me.

The man leaps over the counter, his dish and fork clattering to the linoleum, as he grabs me away from the coffee pot. “What the hell? Are you nuts?”

My face is wet as I pull away and clutching my burned arm, scurry down the narrow aisle, but he comes around and stops me, his hand on my shoulder, guiding me to tub of crushed ice near the sink. He grabs the cloth I use to wipe down the counter and fills it with the ice and places it on my arm. Holds it there. We’re standing close to each other now and a shiver goes through me.

Now I’ll never see ice-boats on Lake Michigan.
___________________________________________________________________

Now if Ron Carlson were here he would NOT let me stop . I haven’t told who this guy is yet or what he’s got to do with Kelly. But I don’t know, not yet. And since this is public, I’m giving myself permission cogitate. And I’m thirsty and I need to check the mail and do a couple things…

Dare ya!

Thinking about writing a post for here this AM by either commenting on my need to spend time on my novel or complaining about spaced-out grocery baggers who love to put bottles of tea on my tomatoes?

OR should I ignore the blog and go write a story (begin one, edit an old one, get back to the novel instead of blogging about getting back to the novel?)

Then bam! Why not write a story here using the prompt I posted today? Do it all real-time, warts and all?

First thought: If I do it here, won’t I be mortified if it’s crap?

Thought 2: And it will be crap because it will be first words, first thoughts.

Thought 3: But what if in the end it has juice ? I won’t be able to send it out, will I?

Thought 4: Aren’t I the one who preaches about “disposable fiction?” Get over yourself, Gay.

Disposable fiction? Have I mentioned this concept here? Let me do that briefly.

Like so many writers, especially writers who are just figuring out how ugly courier really is, I used to think that any half-way decent thought, sentence, paragraph return was precious if I actually managed to produce it. I’d cling to it as if it had been written on clay tablets. I’d totally rework a story around that one surprisingly lyrical bit so I could keep it. The result of course was convoluted crap.

And that’s exactly the way to become a convoluted crap writer. Not my overall goal.

So at some point, over time, I came up with the idea of thinking of my initial writing as “disposable.” This wasn’t easy because I was so afraid that if I wrote a good line or created an evocative image, I’d never come up with something quite as good ever again. But that’s nuts. Not only does a writer come up with reams of stuff, it steadily gets better the more you toss out there.

So with all that in mind, I’m going to write a piece of throw-a-way fiction in this spot. I’m not going to worry about if it’s good, going to be good, going to get me into Smokelong. I’m just going to see what happens. For the fun of it. For the hell of it.

I’m going to use the prompt I posted at EDF’s Flash Fiction Chronicles today and I’m going to set a timer. 20 minutes. I’m not going to edit it now. When the bell rings, I’m going to quit. Step away from the words, regardless of how shitty they are. And come back to them later. I can always throw them away.

Here’s the prompt:

PEPSI-DYSPEPSIA-FLUCTUATE-ETON JACKET-ICE BOAT-BLUE GOOSE-STARKVILLE-LUNCHEONETTE-PONDER-REVERBERANT

It is not necessary for the public to know whether I am joking or whether I am serious, just as it is not necessary for me to know it myself. –Salvador Dali

It’s 7:30: GO!

___________________________________________________________________

I waitress at night at the Starkville Luncheonette on State Hwy. 41, just down the road a bit from Clancy’s Grease and Lube and about a mile before the first real intersection in town. Donnie lets me wear jeans and t-shirts, thank goodness, not a one of those scratchy gold-colored uniforms with the white collars and starched aprons that my mom wore back in the day when she worked the counter.

The place is empty so I’ve got time to ponder what I’m going to do about my daughter. Her name is Beth, she’s twelve, and she’s already got some breasts. I think it’s time we get out of town, leave the river and the coal mine behind, head somewhere that has a winter to it, where blue geese dip through gray skies and aand old men build wooden houses on icy lakes.

I’m wiping down the counter for the millioneth time when a thin guy wearing a plaid jacket and shorts come in the door. I didn’t hear a car or truck out on the gravel so he takes me a little by surprise. I take my own half-filled Pepsi glass off the counter.

“Hey,” he says. “You got pie?”

“Lemon meringue, no berry.” I straighten up, tossing the rag under the counter, and before I can stop myself, I’m smoothing down my hair with a damp hand.

“Lemon”ll do.” Grinning he slides onto the stool opposite to me. Puts his large fists on the table. No wedding ring. Let my eyes flick up to his sun-burned face, green eyes, slightly crooked front teeth.

“Coffee?”

“”You got herb tea?”

Herb tea? This makes me smile. But my back is turned now so he can’t see it. I pull the lever on the hot water. Grab a basket of tea bags. “Where’s your car?”

“I walked. I been walking all night.”

Now that he says this I can see that his jacket is dusty his dark hair greasy. “You a hobo?”

“That’s a word you don’t hear these days?” he says.

“Well, the train does go by here. You look like you’re moving through.”

“I’m not. I’m staying.”

“Oh.” I shrug and turn away to get that last piece of lemon pie for him and there’s something queasy going on in my stomach. This guys kind of nice looking, but wierd too and I’m thinking maybe I need to call old Deputy Dave.

“Good pie,” says the guy. He holds his fork like a gentleman. I’m surprised because for some reason I’d thought he’d have that prison grip thing going on.

___________________________________________________________________

7:52. Buzzer went off but I had to finish my thought. Will check this out later and see what I’ve got

Kris came in first and so did I!


Actually, it’s not official yet because I haven’t heard from Women on Writing, but good friend Madeline emailed me a congrats so I beat it over to WOW, and WOW (now I know why they call it that), I won first place. This is sooo cool.

Go here to read about WOW’s Winter 2009 Flash Fiction Contest, then scroll down and you can read, “Beyond the Curve.” I want to thank Janet Reid for choosing my story, a literary agent with FinePrint Literary Management. I’m honored!

Kris Allen, Adam Lambert, & AI : Should we care?

I’m a fan of Kris Allen. Downloaded everything he sang on American Idol to my ipod along with the works from Adam, Gokey, and Matt. A couple Allison’s, two from Anoop-dog and two from Lil Rounds. Total playlist? Fabulous. Who makes me smile the most? Kris.

So do I care who won? No. Should you? I have no idea, but here are my thoughts.

Adam Lambert is undeniably the dominant performer with the “whole package.” He’s the Elvis, the Robert Plant, the Freddie Mercury, the Steve Tyler of NOW and as Paula is wont to say: “You’re the icon, you’re iconic, icon, iconical, you, take it in, this is your moment….” And she’s right. If he wants it, he’ll have it because the music industry needs someone like him. Rock and Roll needs him too, to shake things up, to make it all fun again.

Does Adam Lambert NEED American Idol? He hasn’t needed AI from about half-way through the competition, and it’s to his great credit that he’s taken the whole thing seriously.

Kris Allen is “winning” in all senses of the word. He’s got a winning personality, charming and disarming; he’s got that face, that lopsided mouth, those clean-cut good looks; and he’s got the talent, a voice with shading and variation if not the amazing range of Adam (most don’t). Kris is relatable. Kara commented on it, that he makes you feel as if he’s singing to YOU. And then there is the artistry thing. Not to take anything away from Adam because he has artistry too, but Kris possesses a passion for the nuance, the rhythm, the emotion of the songs he sings and that relates people of all ages.

Does Kris Allen NEED American Idol? From the moment Jamie Foxx said if Idol doesn’t work out they could do something together, Kris’s future in the industry has seemed assured. He works hard, he respects the music and the music listener, he has passion, he’s “winning.”

It doesn’t matter who wins because it really IS about the journey, the contestants working their way through AI boot camp up on all those 52-inch screens across America. And to us, the watchers, rooting for our favorites, hoping they give us one more great performance, seeing how passion makes a difference in the little moments and how nerves play out and that there is both justice and injustice on AI and in life, and it’s how one handles both that makes the difference.

These guys, Adam and Kris, they’re class acts.

LAW & ORDER: Easy to obsess

Read in the LA Times the other day, there’s a possibility that the “mothership” of Dick Wolf’s television franchise, the original Law and Order, may not be picked up for next season. Panic set in! Sweat popped, tears sprung, hyperventilation not far behind. NO!!!!!

I can’t go a whole day without a hit of L & O. Love my Law and Order. All those flawed and clearly-delineated characters, all that fabulous writing, all of Jack McCoy!

Yes, I wouldn’t have to go cold turkey. It’s syndicated on TNT. But, OMG, even with umpteen seasons, eventually I’ll have seen them all and just as it’s happened with Jerry and the gang, I will grow slightly weary from repeated viewing.

I might die before that happens, but what if I don’t?

Actually, I haven’t seen every episode yet. I’m keeping track. I printed a list from TV.com of every episode of L & O. I’m working my way through, one episode a day, from 1990 with George Dzunida, Chris Noth, Michael Moriarty, and Richard Brooks through 2009 with Anthony Anderson, Jeremy Sisto (most cute since Benjamin Bratt), Linus Roach, and Alana de la Garza, AND of course, Sam.

Watching all these episodes has been tons of fun. Some of the shows haven’t lived up to its own high standard, but that’s to be expected after so many years on TV, but over all the writers, producers, directors, and stars deliver high quality drama episode after episode. And there are some jewels: “Who Let the Dogs Out?” “Bodies,” and several others I forgot to highlight on my list. Maybe the next time through.

BUT I hope it stays on the air. With each new cast change the show has twisted and turned and yielded fresh new situations and some damn good TV times.

The Week That Was…

On the HINT FICTION front, I hear from Robert Swartwood that he’s forwarded the finalists to Stewart O’Nan in the adventure competition of the new genre “hint fiction.” He should be announcing the winners soon on his blog.

Digest of last week’s Chronicles here. Quick links to posts by Sean Lovelace, Bill Ward, K. C. Ball, Rumjhum Biswas, and myself. Still open to post submissions. Email me at flashfictionblog@everydayfiction.com .

Also I’ve been honored with an invitation to be a guest speaker at one of Kerry Madden’s classes at Vromans in Pasadena this coming Thursday. We’ll be talking about flash fiction and how it’s impacting craft of writing, all to the positive.

Kerry is the author of Up Close: Harper Lee, a biography of the author of To Kill A Mockingbird. You can meet her in person on Sunday, May 24 at 4:00pm when she signs her new biography at Vroman’s Bookstore 695 E. Colorado BlvdPasadena, California 91101.
Check out the foreward to Up Close at Kerry’s website.

It came to this: Me at Flash Fiction Chronicles

Yep! I ran out of posts from other writers and have to put myself out there. I don’t really mind. I have a few old posts about angst and frustration that I’m sure will touch some writer who’s worried she just isn’t good enough. The one today discusses Talent and Skill; which does a writer need more ?

Lack of talent has always hung over my head, the idea I’ve got none. Growing up I sometimes felt a spark of clear thinking in the creases inside my cranium, but most of the time, it seemed to me I knew nothin’.

I was under the miscomprehension that if I had no talent–writing for me, but it could be anything a person wants to do–I might as well not bother trying. Even if I had a little talent, I shouldn’t bother because there are geniuses out there who wake up in the morning, sit down at the computer, and spin marvelous tales without effort. After all, every book I picked up at the library seemed to be filled with whole worlds that sucked me into adventure and drama, dissolving my hours into days.

I’m older now, and I hope just a little wiser. I realize even Shakepeare had to work at writing. What I didn’t see back then, couldn’t see, was that there are other components to the whole creativity gig: effort, perserverance, desire, practice. Who knew it was such a complex thing? Not me. Sometimes I look back over the years and wonder just how many times the mummy tape circled my head because that’s how I felt, paralyzed, unable to move forward, my whole body wrapped in thick gauze.

But we grow up and when I finally figured out how doing something over and over again would actually make me better at it, I began to push myself. I never had done that before. Stick to it? Even when I got antsy, worried, tired, bored, frustrated, and disillustioned?

I did things okay without too much exertion and for way too long, I never understood that doing things “okay” isn’t enough. I get it now. To be good at something, really good, I can’t get lazy. I can’t let myself become satisfied with meager effort. I have to push myself, challenge myself, discipline myself. Yes I do.

But in that mix, the other lesson I’ve learned is to remember why I write. The answer is because it’s fun. It’s like finishing a Sunday crossword puzzle, but better. It’s like winning 1st place or getting an acceptance, but better. Sometimes, when characters take over the story and hours melt into days, it’s even better than sex.

Read more at Flash Fiction Chronicles.

Tania’s on Frank O’Connor Short Story Award List

GREAT News for all of us who follow Tania Hershman through her blog. She’s on the Frank O’Connor Award long list with her collection of shorts, The White Road and other Stories published by Salt Modern Fiction. Being on ANY list that highlights quality writing is an honor…and an indicator that an author is being read, recognized, and appreciated. And what great company she’s keeping: Mary Gaistskill, Kazuo Ishiguro, and Alex Keegan to name just a few of the 57!

You can find the Long List at The Short Review. And that’s the other reason that Tania can be appreciated, not just for being an excellent writer, but for promoting short fiction at The Short REVIEW, an online e-zine dedicated to short fiction.

Swartwood’s HINT FICTION picked up by Norton

Soon to be found on the pages of a Norton anthology will be Robert Swartwood’s HINT FICTION phenomenon. The internet is shaking our foundations with the new and innovative. Congratulations, Rob.

Meanwhile there is work to be done. The finalists for the first-ever HINT FICTION contest must be selected and forwarded to Stewart O’Nan. He will then choose a winner.

Rob will need to fill the balance of pages in the anthology and I’m sure he’ll be looking for submissions in the near future so keep an eye out for the word.